It is difficult to explain where did salsa originated. Salsa cannot be easily described. Who was the inventor of salsa? Was it the Puerto Ricans or the Cubans? Salsa is the refinement of most Afro-Caribbean and Latin dances. Each one of them played an important role toward its revolution.
Salsa bears some resemblance with Mambo due to the fact that they both have a six step pattern that is danced on eight counts of the music. The two dances also share most of their moves. In salsa, the turns are a vital feature, making the overall feel and look of Salsa different from the ones in Mambo. Mambo entails moving backward and forward while salsa keeps the side to side moves.
The Origin of Salsa Dance
To know where did salsa originated you must realize that Salsa is not merely Cuban; nonetheless, we have to show some appreciation for Cuba for being the country of ancestry and origin of creation. It is the same place where Contra-Danze, also known as country dance of France/English, was later called Danzón was introduced by the French who had fled Haiti. The dance started to with the Rhumbas that were of African origin such as Yambú, Colombia and Guaguanco. The Add Són that belongs to the Cuban people was a combination of flavora, the African drumbeats, Spanish troubadour also called sonero and also a partner dance that is flowered to the calve beat.
The synchronization also took place in a smaller degree and together with some other variations in countries such as Dominican Republic, Puerto Rico, Colombia and so on. The bands that were found in these countries brought their music to Mexico City during the time of the famous films within the country such as Perez Prado, were most popular. After a short time; a movement quite similar took place to New York. More syncretism and promotion in the two cities continued and commercial music generated because of the fact that there was an increase in investment.
New York, where did salsa originated. Although New York came up with the “Salsa” term, it did not invent the dance. This term gained popularity as a nickname to describe a number of different music from many countries with Hispanic influence: Rhumba, Cubop, Mambo, Cha cha cha, Danzón, Són Montuno, Bomba, Festejo, Guaracha, Són, Guguanco, Guajira, Charanga, Cumbia, Plena, Merengue and many others. Most of them have stuck to their individuality and many were combined while creating salsa.
If you happen to be listening to the current salsa, you are not going to miss the són base and you will hear Cucumbia and Guaracha. You will also listen to some ancient Merengue that is built in rhythms of a variety of songs. You will also listen to the ancient styles in the modern beats. Salsa differs in sites. For instance, in New York, extra percussion and new instrumentalization were included in some of the Columbian songs to make the New Yorkers who dance mambo, also referred to as “on the two” can feel at ease while dancing to the beat and rhythm of the song since they do not easily recognize the original arrangement.
This is also known as “finishing”, getting into the local market. The “finish” does not take place because the Colombian is not able to play Salsa, but it will not play to the Post-Cuban Salsa or Puerto Rican rhythm. I call it post Cuban because the Cuban music has undergone a major transformation to another equally favorable and new flavorful sound. This had made people get a clear picture about where did salsa originated.